Classic Hammer horror starring Christopher Lee and Peter Cushing. Jonathan Harker (John Van Eyssen) journeys to Castle Dracula, where he is turned into one of the undead by the famous vampire (Lee). Professor Van Helsing (Cushing) arrives and drives a stake through Harker's heart, but must then pursue Dracula to London, where the Count intends to make Harker's fiancée Lucy Holmwood his bride. Lee and Cushing went on to make several more 'Dracula' films for Hammer.

Sci-fi horror film based on the novel by John Lymington, starring Christopher Lee and Peter Cushing. When a freak heatwave sends the temperature soaring on the remote island of Fara, the locals, including Dr Vernon Stone (Cushing) and novelist Jeffrey Callum (Patrick Allen), are left dazed by the rising temperature. When Callum is reunited with his former mistress Angela Roberts (Jane Merrow), the atmosphere becomes even more tense. It is left to Godfrey Hanson (Lee), a visitor to the island, to solve the mystery of the deadly soaring temperatures.

In this sequel to 'Evil of Frankenstein' (1964), the Baron (Peter Cushing) has taken up residence with well-meaning inebriate Doctor Hertz (Thorley Walters). When Hertz successfully revives Frankenstein after freezing his body, the latter deduces that the human spirit does not leave the body after death, and can therefore be transmuted into another form. He gets the chance to prove his theory when his young assistant, Hans, is hanged for a murder he did not commit, and Hans' disfigured lover, Christina, commits suicide in despair. After performing cosmetic surgery on Christina, the two scientists successfully transfer Hans' spirit into her body. However, Hans now sets out to take revenge on those responsible for his death.

James Fisher argues that Catholic culture was transformed when products of the "immigrant church," largely inspired by converts like Dorothy Day, launched a variety of spiritual, communitarian, and literary experiments. He also explores the life and works of Thomas A. Dooley and Jack Kerouac to show that their experiences signaled a new Catholic appreciation of the American tradition of creative freedom.